• About Heavy Hands Ink

Interview with Gary Beck

Next up on the docket is a chapbook from Gary Beck! If you’ve read past HHI issues, odds are you are familiar with his work. His chapbook, Mutilated Girls, is going to be released on July 9th! Stay tuned for more updates on this chapbook. Also, Gary and I both have work featured in Quantum Poetry magazine, which you can see here:

http://quantumpoetry.wordpress.com/

Anywho, here is the interview with Gary!

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What should we, the readers, know about Gary Beck the man?
I am passionately involved with the issues of our times and exploring them through my art.

Who are some of your favorite writers?
Dreiser, Wolfe, Steinbeck, Mallarme, Eliot, Rilke.

Describe the typical process you go through when writing a poem.
I open my personal portals of stored material and produce a rough draft.

Would you say that there is a certain theme to this chapbook? If so, what is it?
There is a broad based theme of diverse social issues.

In some of your previous HHI poems, you’ve touched on political issues. What inspires you to write about politics, and is it a topic you’ve always covered in your writing?
I am vitally concerned with the problems of our times and worry about the future of our society. I’ve evolved more and more to political, social and economic issues, with less emphasis on the lyric.

What are your favorite unpublished pieces in this collection?
Train Ride, Child Soldiers, Times Square, Miner’s Quest.

What is it that made you want to do this chapbook through Heavy Hands Ink?
The scope of interest in verious forms and subjects of poetry made H.H.I. very appealing.

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Thanks again you all! Also, I am now accepting submissions for HHI Volume Seven, so send me your work!

-Heavy Hands Ink editor,
Maxwell Baumbach

HHI Volume Five is OUT NOW!

http://www.lulu.com/product/paperback/hhi-volume-five/15998444

There it is, in all it’s glory! HHI Volume Five!

This is another issue that I am very proud of. It contains poems from talented HHI regulars such as Kevin Heaton, Janet Kuypers, John Tustin, Arslan Waqar, and Jim Davis, as well as work from writers making their first appearances in HHI. I encourage you to buy a copy, or at least download one for free when the free download is available (which should be by the end of the day).

Thank you all once again!

-Maxwell Baumbach

NitTwitts: A Collection of Twitter-Length Poems is out now!

http://www.lulu.com/product/paperback/nittwitts-a-collection-of-twitter-length-poems/15712692

BOOM! There it is! I really like this collection. It’s a great, fun read, but is also thought provoking. It’s much different than anything else I’ve ever done here at HHI, so I’m proud of it. I’m also proud of all of the contributors, who did an awesome job. Without them, nothing is possible! Show them some love, and either buy it, or download it for free! The free download should be up later in the day, since lulu is slow about those things, but the print version is ready for purchase.

-Heavy Hands Ink editor,
Maxwell Baumbach

Long Blue Boomerang by Michael Frissore is OUT NOW!

http://www.lulu.com/product/paperback/long-blue-boomerang/15668478

BOOM. There it is. It’s in print right now, and should be available as a free download at that same link later on in the day. This collection rules. “Alexander” is, at the moment, my favorite HHI piece ever. I don’t joke around about that stuff, either. I mean it. You NEED to check this out.

As always, it is available as a free download because I believe in the right to free poetry. However, I encourage you to buy a print copy. We do royalties here (generous ones, compared to most other publications), so by purchasing a copy, you are not just putting money in some greedy editor’s pocket, but you are supporting THE AUTHOR. This is not about me; it’s about Michael, and the kick-ass poetry collection he has put together.

Next week, we drop NitTwitts: A Collection of Twitter-Length Poems. BE READY!

-Heavy Hands Ink editor,
Maxwell Baumbach

A Sample Poem from Michael Frissore’s Chapbook!

It comes out tomorrow! Be ready! This is included in the chap, which rules.

Parts

She has the eyes of a wooden train
and the top hat of a fat controller,
singing and dancing like
a hundred red balloons over
the island of Sodor.

She has the perfect spoon
hanging nose, the kind out of
which you would eat ice cream
or Apple Jacks, or cook some
crack with a little lemon juice.

Her dirty pillows sparkle
like the moon on its birthday,
swinging to and fro until
feathers fly and someone
gets an eyeful of zipper.

Her legs are like baseball bats,
wooden like pirate stems or
the trains coming out of her
peepers, autographed by Jim Rice
and sold at auction for thousands.

I suck on them, her eyes I mean
until she is blinded, by science,
I would later tell people. For now
I put her to sleep by placing a
slice of turkey over her face.

“Parts” is just your typical absurdist love poem. Because of the first stanza, my wife initially thought this was my love ode to Emily, the lovely and really useful engine from Thomas & Friends. Really, the first line comes from a drunkenly sung opening line from “Sweet Child O’ Mine.” The rest just moves on to other body parts, with the usual references to Carrie, a Frank Asch book, and Thomas Dolby.

Interview with Michael Frissore

I sent a questionnaire over to Michael Frissore to ask him about his new chap. What came back was an interview that was much like the chapbook itself: wildly entertaining. Do enjoy!

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What should we, the readers, know about Michael Frissore the man?

When I told my wife my first poetry chapbook was going to be published, she said, “But you’re not even a poet.”

I glared at her and said, “In the words of Spandau Ballet, ‘This much is true.’ But I am a black ninja.” Then I karate kicked the cup of tea right out of her dainty little hands.

So that’s the only thing – that I’m a black ninja.


Who are some of your favorite writers?

Bill Shakespeare, Jonnie Swift, Mark Twain, Bret Harte, Stephen Crane, James Joyce, S.J. Perelman, Ernest Hemingway, Groucho Marx, W.C. Fields, Donald Barthelme, Bob Dylan, Sylvia Plath, John Lennon, John Kennedy Toole, Phillip Roth, Joseph Heller, Woody Allen, George Carlin, Anthony Burgess, John Cleese, Carl Hiassen, Ann Coulter (I’m kidding. Calm down, you bloody lib.), Rik Mayall, Bill Hicks, Quentin Tarantino, Chuck Palahniuk, Christopher Moore, Marc Brown, Larry David, Michael J. Nelson, Arthur Bradford, David Sedaris, Jeffrey Ross, Ricky Gervais, Stephen Hillenburg, Augusten Burroughs, George Saunders, Charlie Kaufman, Louis CK, Jules Feiffer, Katie Schwartz, Dan Yaccarino, Jim Norton, Chris Jericho, Matthew, Mark, Luke, John, the guy who wrote that Rebecca Black song, Lanny Poffo, Charlie Sheen, and my buddy Rick in Massachusetts.


Describe the typical process you go through when writing a poem.

There’s nothing typical or remotely process-based other than it’s always ridiculous. Just looking at the poems in LBB, they came from me thinking about episodes of Cheers and The Young Ones; finding a disgusting, chewed up dog toy in the backyard of our new house; a stupid political bumper sticker; and ill-followed sore throat advice received from an obnoxious radio personality. So poetry, for me, comes from the dumbest places imaginable, and sometimes I write it in my car on the way to work. I think it’s safer than texting in general, and sexting in particular, which I also do while driving. Other times I’ll write while looking at a sunset and ramming a fork into my head repeatedly. Still driving, by the way.

I had a poem in my first chapbook that’s still online somewhere. Here’s how I wrote it: Back in 2001-2002 I used to record parts of The Opie and Anthony Show off the radio, and I would write on the tape jacket what was on each cassette. About five years ago I found those tapes and decided I was going to take every topic I’d written on the jackets and throw them all into one, stupid, nonsensical poem. And it’s out there. It’s called “This Poem is a Disaster (“It Stinks, and I Don’t Like It”). Everything in that poem is something O&A discussed circa 2001-2002, and the parenthetical part in the title comes from a line in the first Spiderman movie. So that’s how poetry can be created, as an imbecilic “We Didn’t Start the Fire.”


Would you say that there is a certain theme to this chapbook? If so, what is it?

Yes. Betrayal, alienation, man’s struggle against nature. It’s also a pop-up book. Aside from that, it’s not much in terms of being a concept album. Or maybe it is. Maybe the theme is poetries. Maybe the theme is “Treat this book like an album by Floyd or Yes or Joe Dolce, and read it frontwards and backwards.” Backmask that sumbitch and listen to what it is telling you, which is that the boomerang isn’t blue. It isn’t even long, but it is coming back and hitting you in the face. Or maybe it’s not coming back at all. Maybe there never was a boomerang. Stick that in your bong and smoke it.


What are your favorite unpublished pieces in this collection?

My two favorites are the ones about my son, “Alexander” and “On Being Hit on the Nose with a Toy Train.” Those might be just for me and my wife. Or maybe not. Maybe if you don’t like those poems, you’re nothing but a bully. A big cyberbully bullying my little boy. Hope you’re happy, cyberbully.

I also like “Stiff,” because a.) I’m a sick man, and b.) It sums up my poetry career nicely. And I like “Love Haiku,” again because of the “sick man” part.

How is this chapbook different from your others?

It isn’t. It’s exactly the same as the others, except there are more graphic sex scenes in this one.

Actually, versus Poetry is Dead, these poems are more polished. Not hugely so, but at least somewhat. I don’t think I’ll read these poems two years from now and cringe like I do now with PiD. But we’ll see, eh?

Versus The Gingerbread Gang, it’s totally different. GBG is a chapbook, but it’s neither a book, nor is it very chap, honestly. It just kind of sits on this one Web site, like so many of my other writings. It’s also prose, GBG is. Really fantastic and funny prose, but it isn’t as poignant and rad and gnarley as being down with LBB.

What is it that made you want to do this chapbook through Heavy Hands Ink?

Heavy Hands Ink? Those bastards. They’re publishing this?

(I keed.)

Let me make another list for you: Barry Orton, “Cowboy” Bob Orton, Randy Orton, Chris Jericho, King Kong Bundy, “Leaping” Lanny Poffo, Jim “the Anvil” Neidhart, the Ultimate Warrior, the Honky Tonk Man, Jake “the Snake” Roberts, Hulk Hogan, Owen Hart (twice), El Gigante/Giant Gonzalez, Ric Flair, the Undertaker, Andre the Giant, Haystacks Calhoun, and half the alleged Russian wrestlers from when I was a kid, including my favorite, the lying “Russian Nightmare” Nikita Koloff, AKA Scott Simpson from Minneapolis, Minnesota.

These are all wrestlers who I reference in this book of poetry. So, a publisher called Heavy Hands Ink, despite the connection more to boxing than to wrestling, is absolutely perfect, much like “Mr. Perfect” Curt Henning until he died from an overdose of cocaine, steroids and various painkillers.

Both of us are pro wrestling fans. Who is your favorite pro wrestler of all time?

If I can be serious for a moment, all of my favorite wrestlers are DEAD!!! Okay, not all. Some, amazingly, still live, like Shawn Michaels and Rob Van Dam. Others roam the planet as zombies, such as Sabu and the Dynamite Kid. But imagine growing up a baseball fan and everyone you watched play, from Dwight Evans and Jim Rice to Dane and Garth Iorg was DEAD!!!

Guys I idolized as a kid: Eddie Gilbert, dead in 1995 at age 33; Brian Pillman dead in ’97 at age 35; Louie Spicolli, dead in ’98 at age 27. And it didn’t stop! 1999: Rick Wilson shoots himself in the bean, Rick Rude ODs, Owen Hart plummets to his death. The 2000s were like World War II for wrestling, a Dead Wrestlers Society (Google that phrase for a wonderful read, by the way), culminating in the Benoit tragedy in 2007. In May 2007 I might have listed Benoit as one of my favorites, but now that’s like saying Gacy’s your favorite clown.

So, to answer your question: Either Shawn Michaels or Rob Van Dam.
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I seriously can’t wait for all of you guys to read this. May 7! BE READY~!

-Heavy Hands Ink editor,
Maxwell Baumbach

Long Blue Boomerang Preview

I asked Michael Frissore, author of the next Heavy Hands Ink chapbook, to write up a little preview of his chapbook. I think he summed it up perfectly. Here is what he had to say:

“Long Blue Boomerang is not so much a poetry chapbook as it is a chapbook of chaos, chaotic poems that are beautiful, foul and nonsensical. It’s a chapbook of comparisons and contrasts: poems about Barack Obama and former wrestler Barry Orton; love poems to my wife and son, as well as ones about my unhealthy, twenty-year, stalker-like obsession with Juliana Hatfield; there are two poems based entirely on jokes: one from Bill Hicks, another from Otto and George; and there are poems that are parodies of poems I’ve read recently. Then, of course, as every poetry book should have, there are haikus that are odes to Anton Chekhov, Danny Ainge, and old lady hoarders.

In the end it’s also a tribute to the dead. My first chapbook was called Poetry is Dead. This one contains pseudo-odes to dead poets like Plath and Crane; dead wrestlers Owen Hart and Jorge Gonzalez; and the likes of Charles Whitman, Christine Chubbuck, and G.G. Allin. If there’s a theme, it’s love and death: love of my family, of wrestling, of comedy, Hicks, Otto, The Young Ones, which is where the title comes from; and the deaths of all the people I mentioned above and more. So, love, death, and pop culture madness. And Hicks actually encompasses all of these themes. I should have called this The Flying Saucer Chapbook.”

This is really a wonderful collection, and it is currently slated for a May 7 release. Stay tuned for more details!

-Heavy Hands Ink editor,
Maxwell Baumbach

Volume Four Is Out Now! Also, Chapbook Announcements!

http://www.lulu.com/product/paperback/hhi-volume-four/15392167

There it is, in all it’s glory: HHI Volume Four, available both in print, and as a free download! As always, I will encourage you to buy an issue to support the press, but if you are not able to, that is understandable. HHI Volume Three is also available at 20 percent off, so feel free to buy both if you would like. I’m really proud of this issue. If there are any poems in it that you like a lot, feel free to shoot me an e-mail at HeavyHandsInk@gmail.com and let me know which ones they were!

Also, chapbooks…The next one will be by Michael Frissore! Next week, I am going to post a preview of the book written by Michael. It’s a pretty awesome collection, so you are going to want to stay tuned. We are also releasing our “NitTwitts” chapbook in May, so stay tuned for both of those.

For future chapbooks, we have signed on with Gary Beck and Emma Eden Ramos. They are both awesome.

Thanks again, and stay tuned!

-Heavy Hands Ink editor,
Maxwell Baumbach

K.O. Song of the Week- “His Dream”

A lot of people only know Asher Roth as the goofy white rapper who found huge success with his hits “I Love College” and “Lark on my Go-Kart.” However, this song is a much more serious effort from Asher, and is your K.O. song of the week. This goes to show why he remains underrated as an artist.

Stay tuned for a bunch of updates. Who’s next in line for our chapbook series? That’s for me to know, and for you to find out!

-Heavy Hands Ink editor,
Maxwell Baumbach

K.O. Song of the Week- “Landed” by Ben Folds

There it is, a new K.O. song of the week. I advise you listen.

Also, don’t forget to read/buy David McLean’s new chapbook! There is a link in the previous blog!

-Heavy Hands Ink editor,
Maxwell Baumbach

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